Once upon a time, Lane Kim (Gilmore Girls) hid rock CDs under her floorboards and dyed her hair behind her ultra-strict mother’s back, though briefly. Haley Dunphy (Modern Family) sneaked off to Coachella, got suspended for rebellion, and somehow always landed on her feet with a sly smile.
These weren’t your average “good girls.” They were vibrant, defiant, and bursting with promise. And yet, somehow, both ended up saddled with charming but clueless husbands…and surprise twins!
What happened to the girls who were supposed to want more?!
Let’s be clear: Zack (Gilmore Girls) and Dylan (Modern Family) are not monsters. They’re sweet, simple, musically inclined guys. Zack fronted Lane’s band, Hep Alien. Dylan wrote her love songs like “In the Moonlight (Do Me).”
But let’s not confuse charm with compatibility. These men were not partners who elevated their wives’ dreams. They were the TV version of settling: played for laughs, sealed with a wedding, and wrapped up in a baby blanket.
Lane Kim was built for more than motherhood and a mediocre band
Lane Kim was supposed to be the cool girl with a Walkman full of ska and dreams of drumming across the world.
Instead, she married Zack, got pregnant on her honeymoon, and ended up raising twins in the same tiny town she once tried to escape.

The band dispersed. Lane retreated into domesticity. And her dreams? Abandoned unceremoniously after a few breakdowns.
All things considered, after what she’d invested in music, Lane needed to have at least more meltdowns about disbanding into a small-town family life—a far cry from what she envisioned for herself. The second-generation Korean immigrant and lifelong music-lover was worth more than a husband who never even realized her depth, and a career that just did not play out for her.
Fans still mourn the way her potential was smothered under a blanket of compromise and early motherhood.
She didn’t choose this life so much as the writers threw her into it.
Haley Dunphy’s glow-up ended in a facepalm
For years, Haley was the underrated heart of Modern Family: bratty but clever, vain but intuitive. In later seasons, she even started to show ambition, working in fashion, embracing adulthood, and outgrowing her shallow roots.
But then came Dylan. Again. She married him this time. And then? Twins.

Again, the show wrote it off as hilarious and habitual. But was it deserved? She just married the man we’d known since Modern Family Season 1, Episode 1, which played pretty much exactly into what her mom (Claire Dunphy) feared. Haley didn’t realize she was worthy of more than “new Phil,” as Jay called him.
Her dreams were suddenly relegated to the back burner. It felt like watching a girl we rooted for turn into a sitcom punchline.
She moved back in with her parents, her career was paused indefinitely, and Dylan…was still Dylan. Kind-hearted, but hopeless.
TV, like we saw on Modern Family, has a habit of equating “happy endings” with babies and lovable dummies. But Lane and Haley deserved more than callbacks to their teenage flings. They were characters with passion, talent, and agency. That is, until the scripts took a hard turn into the basic sitcom writing territory.
Gilmore Girls is streaming on Netflix; Modern Family is available on Hulu and Peacock.