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‘NCIS: Los Angeles’ 12×04/12×05 Review: “Cash Flow” & “Raising the Dead”

Comments (3)
  1. Episode 4 was cheap filler. (I can still remember a time when I loved the filler episodes, and when they were really funny. But since Hetty is never in any of them now, well. Can’t even remember the last time I even enjoyed a real filler episode like I used to.), Episode 5 was predictably creepy.
    The only real highlight IMO of ep 4 was Callanna. (I LOVE that ship.).

    Honestly, at this point, the only thing that has slightly improved-ish is the writing. (because a season long arc is typically a good thing.). And okay, the newbies have grown on me. (they’re cute together, kay.). Other then that, this is mostly just another rehashing of the last 2 Seasons with no Hetty info, no idea where she is or what she’s doing. (which is never NOT annoying because I feel it’s very disrespectful to keep doing this because most fans know she’s the real heart of this show, even FM said so last April.) Something has just got to change at some point this Season, because I, along with so many fans, are tired of being constantly frustrated with this amazing show that a few years ago, I actually looked forward to every episode without having to come up with an excuse to ‘enjoy’ an episode, and I’m also tired of having ‘Hetty withdrawals’ so to speak.

    1. Lissete Lanuza Sáenz says:

      The Hetty thing bothers me in the same way the Deeks thing bothers me, in that they drop the ball on continuity because they COULD just …mention things, every once in a while. And I know getting Linda to film is probably much more complicated with all the covid precautions, but they’ve pulled the same stunt so many times that we’re just angry about the latest version of the same dumb stunt.

      I also find it hilarious that now Hetty can’t fix the Deeks situation when Hetty could probably fix world hunger if she set her mind to it.

      But I will agree the newbies have grown on me, and that I feel very alone in enjoying Callen and Anna, but I do.

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