Chicago Med Season 12, Episode 2, ‘Third Rails’ is a bad day for several characters, and a hard watch, but the NBC show also has good ideas.
Haunted Hotel Season 2 Review: The Best Animated Show of 2026
Haunted Hotel Season 2 is the best animated show of 2026 because it isn’t afraid to touch topics that sting, it knows that laughter is an essential part of life when we’re in pain, and that families come in all…
INTERVIEW: Georgia Oakley on Why Sense and Sensibility Has Always Been a Contemporary Story
When it comes to Jane Austen, the film and TV industry isn’t a stranger to adaptations or remakes. Pride and Prejudice has had many adaptations. Some were faithful adaptations like the 1995 BBC miniseries starring Jennifer Ehle and Colin Firth.…
CIA Season 2, Episode 2 Review: ‘Dead Drop’ Is A Self-Contained Near-Success
CIA Season 2, Episode 2, “Dead Drop” has a good standalone story, making up for the CBS show going backwards with its mysteries.
FBI Season 9, Episode 2 Review: ‘Omissions’ Is A Solid Thriller—Until The End
FBI Season 9, Episode 2, ‘Omissions’ shifts gears from being character to plot-driven, which is fine except for the CBS show fumbling its twist ending.
Sense and Sensibility Review: Does This Classic Really Need Another Remake?
When it comes to remakes, I’ll be the first person to tell you they’re not needed in 2026. Oftentimes, remakes feel lazy and like a cash grab. But I will make exceptions for remakes when it comes to classic books…
Chicago Med Season 12 Premiere Review: ‘Shots Fired’ Is a Crashing Start, Literally
The Chicago Med Season 12 premiere is another instance of the NBC show going big early, and it very much pays off, especially for Ripley.
CIA Season 2 Premiere Review: ‘The Deep’ Isn’t That Deep, But It’s Satisfying
The CIA Season 2 premiere puts the show’s spotlight on Bill Goodman, but CBS’ FBI spinoff uses several familiar plot elements to do it.
FBI Season 9 Premiere Review: ‘Rendition’ Is a New Normal, But Business as Usual
The FBI Season 9 premiere ‘Rendition’ mixes things up for the CBS show, but not so much that it loses sight of what makes it successful.
Elsinore TIFF Review: Andrew Scott, Come And Get Your Oscar
If you know Andrew Scott, then you know he’s no stranger to disappearing into a role. It’s like when he dedicates himself to a character, you don’t know where he starts and the character ends. And even though I know…
